BEEF, Season 2
Showrunner Lee Sung Jin.
A24 Films, Netflix.
Producer Reuben Lim.
Released 2026.
Visual effects by Vandivision.
Showrunner Lee Sung Jin.
A24 Films, Netflix.
Producer Reuben Lim.
Released 2026.
Visual effects by Vandivision.
A custom titling typeface was created to invoke the upper class country club setting, and mesh with the Renaissance and Baroque paintings chosen by Lee Sung Jin for each episode's title sequence. A sort of reinterpretation of Bill Gold’s lettering for Kubrick’s Barry Lyndon, by way of Dutch punchcutters like Rosart and Fleischmann, and 20th century revival types like Monotype Plantin.
The episode titles and end credits use the support typefaces Old Feller, and Gene. Both unreleased works in progress.
Directed by Jess Zeidman
Produced by Yoko Kohmoto, Arno Mokros, Alina Pictures.
Released 2026.
The lettering and typefaces created for the film's title sequence are inspired by and based on the work of Amelia "Oppy" Opdyke-Jones and her lettering for The Subway Sun, the pre-'courtesy counts' New York City subway poster campaign from the mid 20th century.
Directed by Aaron Schimberg
Produced by Vanessa McDonnell,
Grand Motel Films, Killer Films, A24 Films.
Released 2024.
A suite of four typefaces were drawn for the film's title and credit sequences. Featuring revivals both loose and strict of the early 20th century Bauer metal types Corvinus and Venus respectively.
Directed by Caroline Golum
Produced by Kate Stahl, Cinema Firmament
Illustrations by Jennifer May Reiland
Yet to be released.
Three all-caps types were drawn for use in the film's title sequences. A primary flared serif based on simplified Uncial forms, a sans counterpart for informational text, and ornate Uncial drop capitals.
Directed by Nellie Kluz
Released 2024.
Directed by the Anti-Banality Union
Released 2022.
Directed by Aaron Schimberg
Produced by Vanessa McDonnell, Grand Motel Films
Released 2019.
